TWIFH Zine
We didn’t start the TWIFH Zine (our newsletter) until September 2026, so unfortunately the majority of our back catalog episodes do not have accompanying features (yet?). We will update their episode pages and their pages here when, and if, they get back-written expanded material. All episode pages feature the original show notes, including sources cited.
The Wrong Fandom Had a Real-Life Kobayashi Maru Situation
Down and... safe? This week, V and Emily are joined by fandom scholar Lena Barkin (The Fanthropologist) to discuss an event that should, really, be as notorious in fanfiction culture as the Anne Rice debacle or Cassandra Clare kerfuffle: the Blake's 7 Slash Wars. This seismic, terrible fanwank is technically still ongoing, but hit its heyday forty years ago as the cast and crew of Blake's 7 hit back at fans -- like, specific, named fans -- who dared to write Blake/Avon slash. This supersized episode looks at the dangers of parasocial relationships, why fandom and media celebs should never cross the streams, and the nature of slash in the landscape of the 1980s. Lena brings an important POV as someone who is actively in Blake's 7 fandom today -- and is a slasher.
Have You Ever Seen Such A Jossing?
PHIL LESTER, YOU’RE A GENIUS! This week’s episode is a little different. This week, Emily and V finally release an episode that has been sitting in our vault for over a year — not because it wasn’t good, but because the universe pulled off one of the most chaotic, timeline‑breaking acts of accidental fandom trolling we’ve ever witnessed.
Walt Whitman’s Super Gay Love of Music Makes Us Cry This Week
Never enough! This week, V and Emily travel back to TWIFH’s oldest historical event thus far: opera singer Jenny Lind’s landmark 1850 tour in the United States and its accompanying “Lindmania.” Did you know that the fangirls of 1850 were Just Like Us? They sobbed, they squeed, they schemed to meet their faves, and they spent way, WAY too much on concert tickets. The quotes from antebellum Lind fans reacting to hearing secular music for the first time give us the chills. Come wait outside the stage doors with us for a glimpse at the Swedish Nightingale.

